![]() Right-click in the gridded area and add a fader object with In the Style section of the menu change the label from auto to QLab Current Cue Faders 1-8 If the editor isn’t visible click the menu icon at the top right and then turn the editor on. Set the custom module to this file using the file browser dots icon on the right of the field This project requires a custom module which is included in the project download linked at the end of the chapter. We are going to create a new file by ticking the checkbox in Blank ![]() If we were opening a file we would select it using the button with dots to the right of the load field This is the IP address for localhost, i.e the computer all these programs are running on followed by a colon and the port number that QLab listens out for OSC messages on (53000) You can have many clients connected to the server simultaneously, and it’s possible to run the server headless. Here’s the Open Stage Control panel running in its own GUI:Īnd here it is on a Chrome browser on an iPad. Each of 8 notes of the C major Scale C-C are on separate tracks. The workspace contains a main cue list with 3 cues in a fire all groupĮach cue is an 8 track WAV file of an instrument with repeated notes. Here is the QLab workspace we are going to control. Here’s it is in action (Best Viewed full screen): It also displays the number and name of the current cue. This project uses Open-Stage-Control to synchronise a fader bank remote running on any of the devices listed above with the sliders in the selected cue in QLab. This project is going to use an almost identical workspace to that used in this QLab Cook Book chapter In fact, this project relies on a feature that did not exist, that Jean-Emmanuel incorporated by coding a custom module in JavaScript within a day of requesting it. The Developer, Jean-Emmanuel is very responsive. It’s software that is very much in development, it seems very stable, but you would need to test it thoroughly for your application. Currently, this includes Windows 7 or later, MacOS 10.10 or later, Linux v2.24 or later, iOS10 or later, Android Jelly Bean or later. What this means is that once you have it up and running, you can log in to the server from a Google Chrome web browser on any device that supports it. It’s built on web technologies and run as an Electron web server that accepts any number of clients. Open Stage Control is a desktop OSC bi-directional control surface application. In addition to QLab, it uses the following software which can be downloaded without charge, using the links below. It opens up the possibilities of creating control panels on cheap tablets costing less than 50 dollars. Plus, turning off the ID broadcast makes it (a little) harder for someone wanting to find and hack access points.This chapter looks at remote control of QLab, using different operating systems on a range of devices. For a gig with a couple of hundred people, the access attempts, even unsuccessful ones, can bog down a consumer grade router or access point. Many people have their mobile devices set to ask to join networks in range or they will see your network ID and think "wi-Fi hotspot" and try to link to it. If you don't require a password you will find it difficult to keep people from connecting.ģ. Why? Because someone will eventually try to hack your router at a gig, either "accidentally" or maliciously. I require password and also use MAC address filtering and IP address reservations. At a minimum, require a password to connect. This is very helpful in larger and outdoor venues.Ģ. This allows me to get the antenna above obstructions and into a line of sight position. I use a model with magnetic base and an additional 10 foot extension (for a total of 15 feet). ![]() If you mount the router in a rack, get a router with external, detachable antennae and purchase an omni-directional external antenna with extension cable. A few tips I have found helpful with my setup:ġ.
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